zaterdag 15 september 2018

Omar Pene & Super Diamono


Grewing up in Derklé , Omar Pene spent his childhood like all other kids living in urban working class districts across Africa: hanging out, playing football, playing music. Derklé 's ancient houses and streets full of ruts were alive with human warmth, with dynamic and inventive young people. When the football matches were over, it was the turn of the local troubadours. People would gather on street corners for the music which would go on late into the night.


The Streets were a way of life for Omar Pene in the early 70s. Then, when is friends began signing up to the local football teams, it was time for Omar to hook up with the local bands. Super Diamono was formed from the merger of 2 major groups from Senegal: the 'Cad Orchestra' led by Cheikh Diagne and Mady Konaté 's 'Tropical Jazz'. This is were Omar Pene started his musical career. First came CAD, with Cheikh Diagne, Bassirou Diagne and Baylo Diagne, an upcoming Dakar act in the early 70's. Pene joined them in 1975 and soon afterwards they amalgated with Tropical Jazz, to form Super Diamono. The group was reshuffled when Baylo Diagne, a well-known guitar player in Senegal took on the leadership. At that time the group also contained the talents of Bob Sene, Pape Bass, Adama Faye and Pape Dieng. 



Within a few years the fresh approach and energy which a succession of the new young musical talents brought with them, had transformed the Original band and "Senegals" famous band of talented young street rebels was born. Their regular club, Le Balofon, at No 2, Rue Macadon Ndiaye, which also fostered the talents of Youssou N'Dour and Ismael Lo in their younger days, became the fashionable hang out for the music lovers and club-goers in Dakar.
A tour of Casamance and Gambia resulted in an even tighter band. Ismael Lo joined them in 1979, becoming part of an anarchic group spirit which, unique in Senegal, prompted comparisons with Western rock groups.



During the second half of the 80s the group passed a turbulent period with many musicians passing through the band's line-up. Around 1990 Omar Pene took over the captaincy of the group and ushered in a new period of stability and dedication. Since 1991 Super Diamono has operated out of a company, Mediator PLC, which Omar started to put the band on a firmly  professional footing.



Omar Pene has now generated his own style of vocal delivery to carry the lyrics of the songs he has written for the band. His beautiful, haunting melodies and the sohisticated arrangements bear witness to the fact that good music is a universal language that draws people together. He now has a very dedicated and expanding following in Senegal and abroad.




The ten most recent years of  Omar Pene's career have been marked by 'an opening to the international market' , whose bassist Dembel Diop explains the reason. "The quintessence of Senegalese music is rhythmic. But to open to the international market, you need exotic harmonies to reach a wider audience. Here in Senegal, Pene has nothing to prove. It is a market of less than one million cassette buyers. So we innovated and brought more harmony to reach an international audiance". "This is how the albums Myamba (2005), Ndam (2009) and Ndayaan (2011) have allowed Omar Pene to offer the public a very sparse music", said Babacar Mbaye Diop, noting that the singer "now wants to conquer the international scene", even if since the album People (1984) he was already known in Europe.



These discs cause the departure of the "long time Diamono members" Pape Dembel Diop and Doudou Conaré . The two instrumentalists considered that they were not enough involved to the new direction. Their departure didn't change the attachment and affection that Senegalese fans and music lovers have for Omar Pene and his music. On the contrary, they have never been so strong. This is reflected in the resounding success of his return to the stage in 2014 after a year-long illness.



References:
1 Liner Notes 'Fari'
2 Liner Notes 'Direct From Dakar' 
3 Aboubacar Demba Cissokho de l'aps 23-04-2016.



DISCOGRAPHY (VINYL & CD)


















DISCOGRAPHY (K7)
(incomplete) Overview of Super Diamono key members
Vocals:
- 1975-2007 Omar Pene
- 1975-1984 Baila Diagne
- 1979-1984 Ismael Lo
- 1983-1986 Amadou Baye Diagne
- 1985-1987 Moussa N'Gom
- 1986-1991 Mamadou Maiga
- 1994-2001 Babacar Dieng
- 1997-2003 Mada Ba
Drums:
- 1975-2005 Lappa Diagne
Bass Guitar:
- 1975-1991 Bob Sene
- 1991-2007 Pap Dembel Diop 
Rhythm Guitar:
- 1991-2005Ousmane Sow
Solo Guitar:
- 1975-1991 Lamine Faye (Lemzo)
- 1997-2007 Mamadou Conare

woensdag 15 augustus 2018

Meiway



Meiway is nicknamed "Professör Awolowoh" father of "Zoblazo", the dance with the handkerchiefs, a musical style that Meiway invented, inspired by the folk rhythms of the Akan. Meiway by his real name Ehui Désiré Frédéric, an Ivorian singer, songwriter and composer, was born on March 17 1962 of parents from Grand-Bassam, the main city of the kingdom of "N'zima Kotoko". He enjoyed his first hours of glory as musician in 1991 with his second album "200% Zoblazo".
His father, a commercial agent in a local company, is an amateur accordeonist. His mother and his sisters sing in the Sainte Jeanne d'Arc Choir of the Catholic parish of Treichville in Abidjan. Naturally Frédéric makes his first steps in music by accompannying his parents during the mass.  He begins his apprenticeship with traditional percussion, drums, bass guitar and vocals. During his Highschool years in Abidjan around 1978 he joined his first group "Pace". In 1981 he creates his first own band "les Génitaux".They  had some local success after they won  the prize for "best amateur group" of Ivorian television.





In 1985 he decides to seek the adventure in Paris to develop his career and deepen his musical knowledge. Soon enough he set up a new group, “Défense  d'Ivoire", with African, Algerian and French musicians. They won the price of the Paris club Excalibur and make a small career in the French capital. To make ends meet, Meiway takes several jobs and finally works in a gas station where he becomes co-manager.
His greater resources allow him to apply for a bank loan to finance his very first album "Ayibebou" which was released in 1989. The immediate success in all of Francophone Africa, allows Meiway  to return to Ivory Coast as a star. In 1990 this first album brought him the title of  "best singer of Ivory Coast". In this album, we hear the beginnings of "Zoblazo", a new music style created by Meiway.
Mixing different folklore from Southern Ivory Coast, the Zoblazo is a dance music based on traditional percussion of his ethnic group "N'zima" - commonly called "Appolo"- and embellished by a modern orchestration (drums, guitars, keyboards, brass, violins etc...). Zoblazo is also inspired by several other Ivorian music styles as well as by Ghanaian High-Life and Makossa from Cameroon. This new, global oriented and catchy music is danced with a white handkerchief as a sign of joy, purity and peace.



With his second album in 1991 "200% Zoblazo", the style of the same name gets its definite shape. Meiway becomes a superstar. He is awarded as the best variety artist at the first edition of the "African Music Awards"... This year he tours, in addition to Africa , also in Europe and Canada and releases from now on at least every two years a new album.


In 1993, he released the album "Jamais 203". At that time, Meiway created his fan club, his own management and his career is now marching as a well oiled machine. Beside reggae star Alpha Blondy, Meiway is now by far the most prominent performing artist in Ivory Coast.
"Jamais 203" was followed in 1995 by "Appolo 95", a title inspired  by the name of his ethnicity. On the album we find many guests including Guadeloupean Jacob Desvarieux of Kassav and King Mensah.
The release of Appolo is followed in May 96 by a long African tour. On June 21st, he took part in the Music Festival in Paris, followed by an American tour in July. In the last quarter of the same year, he received the award for the best sub-regional artist at the first African Music Award in Johannesburg, South Africa.
"Les génies vous parlent" comes out in 1997. This time he incorporates for the first time a brass section in his music and the album becomes one of his most awarded records.
"Hold Up" released in 1998, is the first album of Meiway's orchestra the "Zo Gang". This very varied album, highlights the pillars of this orchestra, Briscard Kouadio, Donguy, N'toumba Minka, Jean Paul Melindji and Ernest Mvouama.





Surrounded by - among others - Manu Dibango, Jacob Desvarieux and Jean Claude Naimro of Kassav, Meiway celebrates his 10-year career in 1999 with the album "Extraterrestre". Shortly after the release of "Extraterrestre", followed also a second album of the Zo Gang, titled "Le proces". In 2001 he scores a tremendous hit with "Miss Lolo", a track from the album "Eternel".




It is not a surprise that Meiway's eigth album "Golgotha" kicks of with the pure Zoblazo track "800% Zoblazo.  But surrounded by prestigious guests, such as Lokua Kanza, Kojo Antwi and Koffi Ollomide he also explores several styles and also  flirts with fashionables dances like the Prudencia and Coupé Décalé.
On stage Meiway is more than ever present with "The Zo Gang" and he remains a major attraction in the African showbizz. With a little lower frequency than the past years but still in a steady pace, the Ivorian releases new albums. It is in December 2006, that " 9ème Commandement" is launched. On this album Christian Meiway refers his commitment to spirituality, peace and the fight against AIDS. However, he does not forget the dance floor and as ususal he presents us some irresistable dance tracks, like the tribute to the woman "Emeraude", and the even hotter duet with rapper Alibi Montana "Feu de camp", a funny evocation of a reality TV show. Quite unususal for Meiway this album also contains a pure Zouk Love track, the seductive "Zouk interdit".



On the occasion of  the celebration of his 20 years of  successful career, Meiway released his 10th album "M20" with a variety of sounds and music. This album saw the participation of the Franco-Congolese rapper Passi on the track "Dedans" and Lynnsha on "Mami".
At a time when Ivory Coast seems to be embarking on the path of peace after an unprecedented political crisis, Meiway returns in 2012 with "Professeur" his 11th album that contains 15 new songs with incandescent rhythms, including 2 duets with Black Kent and Soum Bill.
His next album, "Illimitic" was released in 2016. This time no guest appearences by fellow singers but a composition by a fellow artist. As a musical homage to Deza XXL, the singer, gitarist and musical brother who died in 2005, Meiway recorded a cover of Deza XXL's song "No". And in the last song of the album, the ballad "Bye, bye", he remembers some fellow singers who died recently such as Lapiro de Mbanga (2014), Guy Lobé (2015) and Papa Wemba (2016). 

In Lomé, on November 2 2019, on the occasion of the Beer Festival,  Meiway launched his new album. The first single from the disc, released on the web in May 2019, "Korokoto", and its cutting-edge choreography were very well received (more than 500,000 views on YouTube).


 After launching his first album "Ayibebou" in 1989, it is already 30 years since the most constant artist and the most representative of Ivorian culture, defends the tricolor colors (orange, white and green-OBV) of his country, masterfully. It is precisely to celebrate this anniversary that he released the 13th album of his discography: "Legende". A title that justifies its status as a guide to African culture. The album includes 16 tracks and was produced in Abidjan and in Paris where Meiway multiplied the rehearsals and studio sessions to coordinate the final adjustments.

Note the participation of several arrangers such as DONGUY, DSK on the beat, CHAMPY KILO and JC Beat as well as eminent musicians: Nicolas GUERET (France), Christian MARTINEZ (France), Fabien CYPRIEN (France), Olivier TSHIMANGA (DRC) , Amen VIANA (Togo), Frank NELSON (Haiti / France), Juhan ECARE (Ivory Coast / Finland), Michel BASS (DRC), Belmond de BEAUVILLE (Cameroon) and the ZO GANG his orchestra…

In March 2020, a second single was released, "Tu dis que quoi", which is doing even better and after 4 months already has more than 1.7 million views on YouTube. The song, a Bend Skin rhythm is a tribute to the rich musical culture of Cameroon in general and that of the Bamilike people in particular.



DISCOGRAPHY











donderdag 3 mei 2018

Reddy Amisi


His real name Namwisi Ngoy, alias Reddy Amisi said Bailo Canto, was born May 5, 1960 in Kinshasa in a family of eight children. He is married and father of four children.

Reddy Amisi debuted in 1975 as a singer in the group Chem Chem Yetu. The following year he accepted a role as choirboy in the group Sambole Master Ngombe. Then he moves successively in three groups of young people: Juvenil (1977), Likamuisi (1978) and No Lingwala (1980). In the latter group, Reddy Amisi met Koffi Olomide, who intruduced him to Papa Wemba. Wemba was so impressed by his skills as singer and performer that he invited him to join his band Viva la Musica. 
There he develops quickly and becomes known with hits like "Kotida" (1983) and "Lize Paradis" (1985). In 1986 he accompanied Papa Wemba on his first major tour to Japan and his first solo LP appears in 1987 with Viva la Musica as backing band.



In 1989 Papa Wemba started to promote his global career as singer. Alongside Viva la Musica he starts with the band Molokai International. Reddy is one of the few Zaireans included in Wemba's international lineup. In 1990 his second solo album "Queen Lina" appeared, again backed by Viva la Musica. When in 1992 a large part of the band broke with Viva la Musica due to dissatisfaction with Wemba's leadership - and formed the Nouvelle Generation de la Republique Democratique - Reddy Amisi remained faithful to Wemba. But since that moment he focussed more attention to the development of his own solo career. From 1993 he released several solo albums under his own name although it remains the "Viva la Musica" influence looms large. Although their relation stays well, in 1999 he breaks with Papa Wemba and records a joint CD in Paris with former Viva co-vocalist Stino Mubi.


After the recordings were finshed Reddy Amisi went back to Kinshasa and in December of that same year he presented his own orchestra La Casa do Canto for the first time at the Congo Fair of the Grand Hotel Kinshasa. The recruitment for the new orchestra took place in Bandalungwa commune where he chooses to set up his headquarters. He creates his own new sound with "Compteur a Zero", his first album with La Casa do Canto in 2003. The album was well received by the Kinois-public and was followed in 2006 by the album "Ligne Droite", a live CD/DVD in 2009 and the superb "Likelemba" in 2010.



After the death of Papa Wemba in 2017, there was some speculation in the Congolese media about a possible merger between La casa do Canto and Viva la Musica in order to immortalize the famous Papa Wemba. Answering Naty Lokole's (Digital Congo, August 20, 2017) question about this probable fusion Amisi answered (..) I don't want to dwell on this issue and concentrate on writing songs for my new album (..). Hopefully this proces goes smoothly and will their soon appear a new Reddy Amisi album on the market. His fans are looking forward to it !

On 30 September 2022, it was finally here. Reddy Amisi released his new album on that day. The album features 14 songs including duets with fellow singers Sam Mangwana, Jean Goubald Kalala, Heritier Wata and Iyenga. 




DISCOGRAPHY